The outcomes I produce result mostly in abstraction, which initially possesses no other meaning than what it is by itself. It contains no symbolism or narration, just a trace of the printing process. Nevertheless, as plane visual shapes on the surfaces have a profound tradition, some of my abstractions fall by chance into certain visual tropes. I find it fascinating, that a shape made accidentally and connected with colour invokes stronger associations and illusions, while another stays a formal shape. This means, that the expressive means of the medium are not only technical and material but also social and historical. I am curious to investigate the variety of aspects of the very notion of medium and its mechanisms.
Untitled, 2024, screen print on paper and alu dibond