At the core of my practice is the printing process and material. A simple piece of masking tape on a screen often serves as my starting point — a minimal, generative gesture that unfolds through mechanical repetition. Unlike the seamless, infinite outputs of digital image production, my process insists on the resistance of matter: ink pushed through mesh, altered by pressure, time, and erasure. I hybridise screen printing with traditional painting supports, glazing, offset ink or photo emulsion. Thus, the screen printing table has become my mechanical expressive “brush”.

Princess Dress Dream, 2025, screen print on paper and emulsion, 68,4 x 53,5 cm, glass hoods