At the core of my practice is the printing process and material. A simple piece of masking tape on a screen often serves as my starting point — a minimal, generative gesture that unfolds through mechanical repetition. Unlike the seamless, infinite outputs of digital image production, my process insists on the resistance of matter: ink pushed through mesh, altered by pressure, time, and erasure. I hybridise screen printing with traditional painting supports, glazing, offset ink or photo emulsion. Thus, the screen printing table has become my mechanical expressive “brush”.

I Had No Idea You Were So Strong Willed, 2025, screen print on paper mounted on aluminium dibond, 102 x 292 cm