Disobedient Printing approaches screen printing as a controlled system that inevitably stumbles and produces deviation.
Designed for repetition and uniformity, the printing process instead generates erosion, instability and difference. I work within this contradiction by reducing my own intervention and setting minimal conditions for the process to unfold.
Wishing Well, 2025
offset paint, screenprint on aluminum, 120 x 90 x 60 cm
Often, the work begins with a simple obstruction — such as a fragment of masking tape on the screen. With each pass, the squeegee collides with it, gradually transforming and erasing it. What emerges is not an image in the traditional sense, but a record of pressure and time acting on material.
I shift authorship towards the system itself: the printing table becomes an active agent, producing unpredictable shifts and traces of its own operations, thus recording time.
Alongside this, I develop works without any predefined motif. Here, the image is generated solely through the contact between mesh and surface. Layers of transparent ink accumulate, and the mesh — a tool designed for precision — becomes an unpredictable, mechanical “brush.”
The project treats printing not as a reproductive technique, but as a model of production where control continuously produces excess, and repetition fails to remain neutral and stable.
The Girl Who Has Everything, 2025
screen print on aluminum, 120 x 90 x 60 cm
The project treats printing not as a reproductive technique, but as a model of production where control continuously produces excess, and repetition fails to remain neutral and stable.
